Marieke is a Dutch journalist and photographer who has been documenting street culture across Europe for over a decade.
“Well, the situation is pretty dire here. We’re advising all of our clients to put everything they’ve got into preserved goods and firearms.” This nugget of sage advice comes from the Brain Gremlin – a scientifically altered, talking, spectacled member of the slick creature crowd that overruns Manhattan’s ultra-modern Clamp Tower skyscraper in filmmaker Joe Dante’s zany follow-up Gremlins 2: The New Batch. On the surface, it’s simply an financial suggestion from one monster to another. Yet, in a strange manner, it’s also remarkably sound existential counsel. Seriously, consider my perspective.
When life takes a turn for the worse, the worst thing you can do is approach matters with excessive gravity. The Brain Gremlin understands this. Actually, a large portion of the toothy monsters that populate Dante’s unrestrained 1990 movie (debateably his greatest) possess the same knowing, self-referential sense of humour regarding the blurry line separating the mundane and absolute bedlam. It’s a single component of Gremlins 2: The New Batch that ensures my return – and with the passage of time, it’s the theme that strikes the deepest chord.
Naturally, my connection with this movie wasn’t born on such an introspective level. Growing up, we possessed merely a few battered VHS tapes at home. Part of that group were Gremlins and its sequel, the latter housed in a bulky previously-rented case almost certainly acquired from an non-chain rental store and featuring grimacing beasts on its tattered front. I was right away smitten and these films did not delay inserting themselves inside my young, susceptible psyche. From then on, they became an practically routine part of my childhood viewing routine.
Dante’s original typically gets all the plaudits, thanks largely to its reputation as a moderately spooky festive favorite – and let me be clear, I’ve watched Gremlins an incalculable number of times. Nevertheless, its successor infrequently obtains the same level of lofty appreciation, which feels unjust. As a kid, I’d always seize the chance to watch Gremlins 2. During long summer holidays, I’d retreat into the house and pop it in. When I acquired my personal TV-VHS combo unit, it continued playing looped in my bedroom. Gradually, it ingrained itself in my psyche. If my parents noticed this obsession, they didn’t seem to mind.
As I got older, new revelations enhanced frequent screenings, elevating the fun of watching small emerald creatures happily vandalize a New York high-rise. I learned the forward-thinking development mogul and Clamp Tower owner, Daniel Clamp (John Glover), was based squarely upon future president Donald Trump, with his ginger staff member Marla (Haviland Morris) echoing his former spouse Marla Maples. Fortunately, Clamp possesses greater compassion than his real-life counterpart.
The “apocalyptic” video Clamp plays during peak-Gremlin chaos? I discovered it was modeled after a actual “Doomsday” video commissioned by the CNN boss Ted Turner in case the world truly faced apocalypse. I noticed how Dante made a special effort to film varying versions of a self-referential segment where Gremlins hijack the actual feature in progress. A version for theaters, a separate one for tape and broadcast, each delivering a smirking slice of self-referential entertainment sorcery prior to the concept being mainstream.
While it was effects expert Rick Baker’s fantastically vile creatures that caught my eye as a child, this subsurface richness held my interest as an adult. In time, I even interviewed Dante about it myself and he had no hesitation informing me he made the movie with the direct intention of mocking those who loved its silly-yet-sincere predecessor and wanted more. “We were going to make fun of the fact you came to see it,” he happily revealed. This cartoonish defiance and resolve to not take his sequel as solemnly as his Warner Bros bosses clearly wanted him to, only increased my affection for it.
When I went through a unexpected loss in the family not long ago, I was astonished to realize that, during my heightest mourning, all I wanted to do was sit and watch Gremlins 2: The New Batch. Weird, right? Perhaps not. The nostalgic calm it offered was essential to weaken my mind’s grief morass – but the stuff it had given me as an adult were similarly beneficial.
Like Gremlins running amok in a genetics laboratory, there’s certain elements in life you just can’t control. Dante is aware of it. The Brain Gremlin shares this wisdom. Sometimes, you have to follow their example: welcome the pandemonium, put everything you’ve got into tinned provisions and hunting rifles and try not to view the world with undue solemnity.
It’s robust worldly wisdom from a very unlikely source – and it’s why Gremlins 2: The New Batch will forever remain my feelgood film.
Marieke is a Dutch journalist and photographer who has been documenting street culture across Europe for over a decade.